Optimism vs. Pessimism in Popes Essay on Man and Leapors Essay on Wom

Optimism vs. Pessimism in pontiffs Essay on Man and Leapors Essay on Woman Both Alexander Popes Essay on Man, Epistle 2 and Mary Leapors Essay on Woman expound the fatalist contention that neither man nor woman can win, as each individual exists in a world of trade-offs. Yet, by each authors singular technique of sculpting his ideas with the literary tools of contrast, argument, and syntax, the cores of the two essays turn back to back, evolving into distinct, but contrary perspectives of Mans (in respect to mankind) and Womans existence. Pope asserts that a profusion of trade-offs establish a certain equilibrium point where Man hangs on this isthmus of a middle state (Magill 2629). After defining the boundaries of Mans oscillations by a procession of foxy paradoxes of words, Pope conciliates Mans unpredictable balance, or fulcrum point, as the essence of Man as an individual. Although consistent with Popes theory of lifes extremes, Mary Leapor utilizes contrasting imagery with in specific distaff case studies to decry the life of Woman as doomed to slavery by her inevitable fate. The two poets views ultimately maintain each other. While Pope experiments with punctuation and precision, Leapor explores the effects of personalization. By subtly but convictively proposing an optimistic perspective, that Mans confused position is his claim to fame, Pope intones his poetry with an stimulate vitality readily conducted to his lector whereas Leapor opines Womans confused position as the doom of lifes essence and transitively condemns her reader to the incurable pessimism she so vividly relates. The essence of man, as defined by Pope, is a series of paradoxical, yet concrete sets of contrasting wo... ...les 1968. Dixon, Peter. The World of Popes Satires. Methuen & Co, London 1968. Lonsdale, Roger. Eighteenth Century Women Poets. Ed. Oxford University Press, London 1952. Morris, David B. Wit, Rhyme and Couplet name as Content in Popes Art. Jackso n-Wallace, New York 1993. Rosslyn. From Alexander Pope A Literary Life. Cambridge UP, Cambridge 1993. Sherburn, George. The Best of Pope. Ronald Press Company, New York 1929. Soloman, Harry M. Johnsons Silencing of Pope Trivializing an Essay of Johnson A Scholarly Annual. New York 1992. on Man. The Age Tillotson, Geoffrey. On the Poetry of Pope. Clarendon Press, Oxford 1950. Thomas, Claudia N. Alexander Pope and His Eighteenth-Century Women Southern Illinois Readers. University Press, Carbondale 1994. Optimism vs. Pessimism in Popes Essay on Man and Leapors Essay on WomOptimism vs. Pessimism in Popes Essay on Man and Leapors Essay on Woman Both Alexander Popes Essay on Man, Epistle 2 and Mary Leapors Essay on Woman expound the fatalist contention that neither man nor woman can win, as each individual exists in a world of trade-offs. Yet, by each authors singular technique of sculpting his ideas with the literary tools of contrast, argument, and synta x, the cores of the two essays turn back to back, evolving into distinct, but contrary perspectives of Mans (in respect to mankind) and Womans existence. Pope asserts that a profusion of trade-offs establish a certain equilibrium point where Man hangs on this isthmus of a middle state (Magill 2629). After defining the boundaries of Mans oscillations through a procession of clever paradoxes of words, Pope conciliates Mans unpredictable balance, or fulcrum point, as the essence of Man as an individual. Although consistent with Popes theory of lifes extremes, Mary Leapor utilizes contrasting imagery within specific female case studies to decry the life of Woman as doomed to slavery by her inevitable fate. The two poets views ultimately oppose each other. While Pope experiments with punctuation and precision, Leapor explores the effects of personalization. By subtly but convictively proposing an optimistic perspective, that Mans confused position is his claim to fame, Pope intones his p oetry with an uplifting vitality readily conducted to his reader whereas Leapor opines Womans confused position as the doom of lifes essence and transitively condemns her reader to the incurable pessimism she so vividly relates. The essence of man, as defined by Pope, is a series of paradoxical, yet concrete sets of contrasting wo... ...les 1968. Dixon, Peter. The World of Popes Satires. Methuen & Co, London 1968. Lonsdale, Roger. Eighteenth Century Women Poets. Ed. Oxford University Press, London 1952. Morris, David B. Wit, Rhyme and Couplet Style as Content in Popes Art. Jackson-Wallace, New York 1993. Rosslyn. From Alexander Pope A Literary Life. Cambridge UP, Cambridge 1993. Sherburn, George. The Best of Pope. Ronald Press Company, New York 1929. Soloman, Harry M. Johnsons Silencing of Pope Trivializing an Essay of Johnson A Scholarly Annual. New York 1992. on Man. The Age Tillotson, Geoffrey. On the Poetry of Pope. Clarendon Press, Oxford 1950. Thoma s, Claudia N. Alexander Pope and His Eighteenth-Century Women Southern Illinois Readers. University Press, Carbondale 1994.